If you’ve had the pleasure of converting film slides of days gone by to the digital format, you may have experienced that bittersweet feeling of excitement mingled with a tinge of disappointment upon first viewing the dust, debris and tiny fibers accumulated by storage over the years in the scanned result.
Building on a recent post, Digitally Converting Slides and Negatives with Jumbl, in this video tutorial we’ll take a look at a few simple techniques to help reverse the ravages of time and bring new life back to these important keepsakes by way of Adobe Photoshop.
One of the biggest challenges for those who enjoy making landscape and architectural photographs is to locate and acquire the ideal wide-angle lens for the job. While no amount of gear is a replacement for experience and skill, we invariably learn as we go that certain projects will call for a solution beyond our existing means. Fortunately for photo-kind, powerful in-roads for testing and using specialized gear have surfaced to level the playing field, allowing photographers of all stripes full-access to the best tools and equipment available.
Leica 18mm f/3.8 Super-Elmar M
If the idea of shedding pounds from your bag in exchange for a ton of quality resolution is appealing, the Leica 18mm f/3.8 Super-Elmar M aspherical wide-angle prime is in a league of it’s own, especially when attached to the Sony Alpha A7R full-frame mirrorless body.
“The Leica 18mm f/3.8 Super-Elmar-M is a relatively compact lens that features one aspherical element, offering high resolving power with wonderful image quality. While the f/3.8 aperture doesn’t allow for extreme low-light shooting, it does provide simple focusing due to its large depth of field. Despite being an 18mm, it has very little optical distortion, making it a great option for architectural and landscape photography. The retrofocus design allows for great corner sharpness at all apertures, as well as a limited amount of color shift. It does have Leica’s 6-bit coding that allows the M9 to correct for vignetting.
Please Note: To best make use of this lens, we suggest the use of an external viewfinder to aid in composing.”